Lafosse’s After Love Lays Bare the Economics of Breaking Up

The original French title of Belgian director Joachim Lafosse’s latest domestic drama is L’economie du couple, which translates (awkwardly) as “The Economy of the Couple.” It’s understandable that a U.S. distributor would opt instead for the rather nondescript and bland After Love — who the hell wants to see a…

Taylor Sheridan’s Wind River Is a Fine Crime Thriller, With Reservations

Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last year’s best-written film). Set in the desolate, snow-covered Wind River…

What Poop Taught Me: I Saw The Emoji Movie Twice

At 5 p.m. Thursday, I became one of the first people in this country to see The Emoji Movie a second time. (Aside, obviously, from the folks who made it — though I’m not entirely sure that some of them actually bothered to see it all the way through once.)…

Dunkirk Is the Movie Christopher Nolan Was Born to Make

The nerve-racking war thriller Dunkirk is the movie Christopher Nolan’s entire career has been building up to, in ways that even he may not have realized. He’s taken the British Expeditionary Force’s 1940 evacuation from France, early in World War II — a moment of heroism-in-defeat that has become an…

War for the Planet of the Apes Is the Most Vital Blockbuster in Years

Somehow, while we were worrying about superheroes and star destroyers and hot rods and whether Captain America could beat up Superman or whatever, the goddamned Planet of the Apes movies became the most vital and resonant big-budget film series in the contemporary movie firmament. And they did it with the…

The Big Sick Finds Stellar Comedy at Hospital Bedside

The pitch for The Big Sick might sound like a tacky weepie you’d have been afraid to watch on TV in the 1990s. But it’s hard to do justice to the balancing act that the creators of this singular comedy have achieved. Based on events in the life of star…

Bong Joon-ho’s Mad Okja Fascinates but Doesn’t Always Work

In the run-up to this year’s Cannes Film Festival, Bong Joon-ho’s Okja was one of the most mysterious titles in the Official Competition lineup. Then, after people had seen it, Okja turned out to be … one of the most mysterious titles in the Official Competition lineup. Now that it’s…

Edgar Wright’s Baby Driver Makes the Car Chase Soar Again

Edgar Wright’s Baby Driver is a remorselessly entertaining, impeccably assembled action-musical in which cars and people defy the laws of physics and common sense. They leap into gunfire and hop over hoods and careen down streets in perfect time to the beats of an unimpeachably cool soundtrack. It’s all absurd,…

Here’s What the New Transformers Movie Is Like

In the opening scene of Transformers: The Last Knight, we are presented with the spectacle of King Arthur and his knights locked in an existential battle for the survival of human civilization, even though we’re not really told who they’re fighting or why. No matter, because this after all is…

A Holy Terror Rages Against Modernity in Russia’s Bracing The Student

In Kirill Serebrennikov’s tightly wound symbolic drama, a Russian high schooler starts spouting off biblical verses at the teachers, administrators and teens around him, decrying the hypocrisy of their ways and of a fallen world. You can feel the allegory coming from a mile away, but that doesn’t mean you…

Why Is Tom Cruise Even in The Mummy?

Over the years, Tom Cruise has been many things, but he’s almost never been marginalized — not in one of his own movies. Oh, he’s played supporting parts and done cameos here and there, but even in those smaller roles (in films like Tropic Thunder or Rock of Ages), he…

The 12 Best Movies From the 2017 Cannes Film Festival

The 2017 Cannes Film Festival wrapped up last Sunday with a slate of generally predictable (and perfectly worthwhile) awards. And while it may have been a somewhat lackluster year for the festival’s main competition, there were plenty of cinematic treasures to be found on the Croisette – even a couple…

Thomas Vinterberg’s The Commune Loses Sight of the Individual

Thomas Vinterberg’s The Commune is partly autobiographical: The Danish director of The Celebration and The Hunt lived in a commune between the ages of 7 and 19, at a time when collective living had become popular in Scandinavia. (The phenomenon also inspired Swedish director Lukas Moodysson’s 2000 masterpiece, Together.) Maybe…