First, the good news: The dog doesn’t die in John Wick: Chapter 2. This will come as a relief to some of us who adored the original, an action masterpiece about a retired hitman taking unholy revenge on the Russian scumbags who killed his pup and stole his car. The…
Given that it’s a sequel/spinoff built around a mostly throwaway gag in The LEGO Movie, The LEGO Batman Movie is funnier than you might think it has any right to be. But those of us who were expecting something more can’t help but feel a twinge of disappointment. The LEGO…
Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…
I’m still trying to decide if Sundance’s decision to kick off its 2017 festival with An Inconvenient Sequel, Al Gore’s follow-up to his influential (and terrifying) climate change documentary An Inconvenient Truth, is an act of political confrontation or a sign of helplessness. (Or both?) What kind of message does…
Last June, after the death of Muhammad Ali, Michael Mann’s Will Smith–starring 2001 film Ali was briefly re-released in theaters. This allowed many of us to see it with fresh eyes. What felt like an ambitious but underwhelming biopic 15 years ago now seems more and more like a masterpiece…
M. Night Shyamalan appears again to be having a moment. His last film, 2015’s grandparents-gone-wrong horror flick The Visit, proved a small hit with critics and audiences alike, and his latest, this week’s multiple-personality abduction thriller Split, seems poised to do likewise. And why not? Both films are effective chillers…
Walking out of Jim Jarmusch’s Paterson last May at Cannes, I felt like it was the closest the director had come to making an artistic manifesto. Having seen it again, I’m even more convinced. Jarmusch first arrived in New York back in the 1970s with dreams of becoming a poet,…
Somewhere inside the 128-minute Live by Night is a reasonably solid 168-minute movie struggling to get out. No, that’s not a typo: You can sense the contours of an absorbing story as writer/director/star Ben Affleck’s slapdash and fragmented assemblage limps along. Most of the pieces are there, but they remain…
Like many people after Carrie Fisher’s untimely passing on Tuesday, December 27, I was moved to revisit Postcards From the Edge, the Mike Nichols–directed film that Fisher adapted from her own novel. This was the sole feature screenwriting credit for the actress-novelist, despite the fact that she was for decades…
“With all respect, sir, may I ask, who are you?” “What you see before you is a man, a simple monk.” “Are you the Lord Buddha?” “I believe I am a reflection, like the moon on water. When you see me, and I try to be a good man, you…
There are two distinct movies in Gianfranco Rosi’s Fire at Sea, and you could say that somewhere in between them lies the real one. The director, an Italian documentarian whose observational films demonstrate a formal rigor that often brings them close to experimental cinema and installation work, has trained his…
Both a film noir and a candy-colored confection, Pedro Almodóvar’s Julieta is one of the most absorbing films he’s made in years. It’s also, perhaps, one of the saddest: Its bright hues and vivid textures offset a deep, unshakable melancholy. Based on a trio of Alice Munro short stories, Julieta…
In the early scenes of the sci-fi drama Passengers, Chris Pratt gets to be every dope who ever woke up in the middle of the night, thought it was morning and started to make the coffee. Too bad for him, morning is still 90 years away, and the coffee sucks…
Pablo Larraín is having a good year. The Chilean director, Oscar-nominated a few years ago for his 2012 political drama No, has just released Jackie, featuring a striking Natalie Portman as Jackie Kennedy in the immediate aftermath of her husband’s assassination. He is also about to release Neruda, a complex,…
I was fortunate enough this year to be at both Sundance and Cannes, so it was something like agony for me to watch the litany of critics and commentators who spent the summer and early fall complaining about the year in film — all while movies such as Manchester by…
The first thing to say about Rogue One is that it might be the most visually splendid Star Wars movie to date — with its mist-covered mountains, its tsunamis of dust and fire, its X-wing fighters blazing through rainswept nights. I’ve never been a big fan of director Gareth Edwards…
One reason why Isabelle Huppert makes suffering so compelling onscreen is her sheer … well, “unflappability” isn’t quite the right word. It’s a kind of ironic distance, perhaps: The actress can convey curiosity, bewilderment and coolness all at once, even as she deals with the most agonizing of circumstances. But…
As Allied opens, Brad Pitt parachutes so gently and quietly onto a stretch of Moroccan desert that at first you think he might be dead. And maybe he sort of is — maybe he has to be. Pitt’s Max Vatan is a pinched, terse figure in the first act of…
Maybe it was the agitated, election-induced state of mind I was in when I saw it, but Disney’s Moana feels like a movie about how easy it can be to give up, and how important it is not to. It’s funny, joyful, and sweet, and yet down below, running beneath…
Fantastic Beasts and Where to Find Them, written as an original screenplay by author J.K. Rowling, is an expansion of her Harry Potter universe, and a test: Without lovable, adolescent leads Harry, Hermione Grainger, and Ron Weasley, or the elaborate narrative backbone provided by Rowling’s novels, can the wizarding world…
Tom Ford has entirely overstuffed his nesting-doll domestic drama-cum-thriller Nocturnal Animals, and yet I spent much of the film worrying that it might not have a point. Its aesthetic footprint is huge, but its impact decidedly small scale. That’s not always a bad thing; there’s a perverse elegance to so…
Billy Lynn’s Long Halftime Walk is a small film burdened with the epic, thanks to both its subject and its setting. Based on Ben Fountain’s 2012 novel, it depicts a day in the life of a young soldier (Joe Alwyn) briefly returning from Iraq to be honored with his squad…
