Like much of South Florida after Hurricane Irma, Vizcaya Museum & Gardens suffered damage to its property and is trying its best to recover. Like most of your neighbors, Vizcaya could also really use your help. Unlike your neighbors, however, the museum is offering more in return than a grateful hug and some bottled water.
In a city with a future lies that lies in the cone of uncertainty, there was at least one large room where Miami could forget the dread and anxieties on Wednesday night. For more than two hours at the Fillmore Miami Beach, Modest Mouse brought the goods. It wasn’t until 1 in…
With South Florida in complete pandemonium with the monster Hurricane Irma on the horizon, there is confusion and incertitude over what is open and what is closed. Ticket holders for events scheduled for the days before Irma approaches might be wondering if the show will go on. Ticketmaster has been…
If you had to take a stab at what side of the political line Kip Moore falls on, you might guess the one that wears red trucker hats with “Make America Great Again” stitched on them. After all, this is the singer and co-writer of Top 10 country songs with titles like “Somethin’ ‘Bout a Truck,” “Beer Money,” and “Hey Pretty Girl.”
Maybe it shouldn’t be surprising that the indie rock greats, Modest Mouse, have become obsessed with the Sunshine State. Their mastermind, Issac Brock, has found lyrical inspiration in subjects as varied as Charles Bukowski and math equations. But even for a lover of geography who hollered out the names of…
When you think of Amy Winehouse, you probably think of the Motown influence found on her biggest hit, “Rehab.” You might not guess that Miami played a role in Winehouse’s sound. But a massive portion of the music she released in her much too brief life was recorded in the Magic City, because Winehouse’s label paired her with local producer Salaam Remi.
The Mowgli’s, along with on-site activations that give fans a chance to interact with the newest Ford vehicles”. Signing up for the show also gives you opportunities to win free travel and even, potentially, a new car.
Started in Southern California in 1978 by a teenaged Mike Ness, Social Distortion was inspired by the Sex Pistols and the Rolling Stones. Listen to the band’s catalog of seven albums, released sporadically over the past 34 years, and you’ll hear the rebellious spirit of those influences. But lyrically, Social Distortion takes an approach that’s different from that of those two British acts.
The theory of alternate realities posits that right next to this reality are infinite universes, together comprising everything that exists. If that’s true, somewhere out there is a reality where every rock star dresses like a superhero. This is a world where no lip comes near a microphone without lipstick on it, where no T-shirts or jeans are allowed onstage, where Insane Clown Posse is not an outlier laughingstock but the norm in a society in which every rocker is decked out in outlandish costumes, makeup, and wigs.
Most bands playing ’80s nights don’t really know the ’80s. They might have studied old Adam Ant MTV videos, seen Valley Girl a few hundred times, or binge-watched Glow, but they weren’t there for the ’80s. Erotic Exotic does not have that problem. “We started in 1981,” original member Johnny Aguiló reminisces. “I had just graduated from South Miami High School and we were all working at a record distribution company. We started off as a New Wave band, but then we discovered drum machines.”
When you hear that Raekwon, a founding member of the legendary rap group Wu-Tang Clan, is coming to Miami July 30, your first question will of course be “Where?” The city doesn’t have an enormous number of live music venues, but you’d probably guess quite a few sites before thinking of Churchill’s Pub.
The way Darryl “DMC” McDaniels tells it, hip-hop wouldn’t exist without comic books. There sure as hell wouldn’t be any Run DMC, McDaniels’ legendary group that overcame numerous hurdles to bring rap into the mainstream. “I was a Catholic school kid in Queens who got straight As and wore…
It has been more than eight years since Eric Garcia’s anti-blues band Juke put together a recording its founder has felt proud to share. “I haven’t liked anything we recorded since the first album,” Garcia tells New Times. That record, Lungbutter – The Blues Basement Tapes, is the only album he believes captures the spirit of Juke, which in essence reflects Garcia’s love for blues music and his hatred for what it has become.
Oski Gonzalez is a man of many opinions. No topic gets him as fired up as what it takes to put on a music festival. The former booker at Tobacco Road, Gonzalez has put together bills for shows up and down South Florida for more than a dozen years. As…
Brazilian musicians have a long history of absorbing American and British musical influences and then spitting out something completely new and different. In the ’60s, Os Mutantes and Gilberto Gil caught a whiff of the psychedelic revolution and birthed their own hallucinatory genre, tropicália. More recently, the Rio de Janeiro…
After 21 years as South Beach’s most dependable spot for a dance and a drink, Jazid has declared Monday, July 10, will be the last day of business. The bar at 1342 Washington Ave. was among South Beach’s longest-running nightclubs, having opened its doors in 1996. The sale of the location has been finalized, and all that’s left is to say goodbye this weekend.
By some quirk of the calendar, the architects of two of rock’s greatest bands will perform in Miami the same week. July 7, we get former Beatle Paul McCartney, and six days later, Roger Waters of Pink Floyd arrives. As one rock legend after another slips from this mortal coil, these are must-attend shows.
Rappers, rockers, and Latin lovers convene on our list of favorite songs from the past six months.
After 21 years, the club where Prince once jammed will close its doors in the second week of July.
The guys in the band Post Animal aren’t too keen about being labeled as psychedelic rock. On the phone with New Times, Javier Reyes, one of the group’s many guitarists, came up with a more specific description of their live show:
Few times and settings in rock history have as deep a mythology as the Sunset Strip of the late 1980’s. As lead singer for L.A. Guns, Phil Lewis had a front row seat for all the guitar solos and debauchery. “It was like I died and had gone to heaven…
Add the band Jaialai as another name to know in Miami’s rock scene. The four-piece is set to release its debut EP, When I’m on the Run, June 14. It will include three songs that are chill enough to serve as background music but also groovy enough to be the centerpiece of a listening party.
